Michael J. Montesano & Patrick Jory (Editors)
The portion of the Malay Peninsula where the Thai Buddhist civilization of Thailand gives way to the Malay Muslim civilization of Malaysia is characterized by multiple forms of pluralism. An appreciation of the long history and varied forms of that pluralism opens up fresh and important perspectives on the violent crisis currently affecting southern Thailand.
Patrick Jory (Editor)
At the heart of the on-going armed cnflict in southern Thailand is a fundamental disagreement about the history of relations between the Patani Malays and the Thai kingdom. While the Thai royalist-nationalist version of history regards Patani as part of that kingdom “since time immemorial,” Patani Malay nationalists look back to a golden age when the Sultanate of Patani was an independent, prosperous trading state and a renowned center for Islamic education and scholarship in Southeast Asia — a time before it was defeated, broken up, and brought under the control of the Thai state.
Forgotten in Thailand’s troubled Deep South, stands a dilapidated wooden palace once home to a Malay ruler, the last of his dynasty.Locals call it the “House of the Raja”, a place suffused with loss and solitude, laden with the region’s glorious past and tragic present. Intrigued by this demonised, yet little-known borderland, Xavier Comas chanced upon this mysterious house. Crossing the doorway, he fell under its spell and felt compelled to delve into its past. The caretaker, a Muslim shaman who held rituals inside, invited the author to stay and initiated him into its hidden dimensions. As he builds a bond of trust with the inhabitants of the house, the missing pieces of its history gently fall into place, revealing an ancient culture long hidden and the building’s ties to the centuries-old struggles in this contested region.
Comas’ evocative black-and-white photographs take us into a realm of hauntings, mystic powers and fading memories. His first-hand account enthralls the reader with vivid descriptions in which the real and the magical entwine. The House of the Rajaprovides a missing key to controversial issues of legacy, belief and identity in Thailand’s Muslim South.
ABOUT THE AUTHOR
Xavier Comas (Barcelona, 1970) a fine arts graduate of the University of Barcelona, relies on chance to create his works, using photography accompanied with writing to illustrate the bonds he builds with people and places.
Comas’ work has been published and exhibited in Europe and Asia, as well as being featured by prominent magazines throughout the world. The Singapore Art Museum exhibited his installation Pasajero in 2009 and acquired his Jiutamai series as a permanent collection. His work Tokyo up, down, a random photographic exploration in elevators, was exhibited at the Noorderlicht Photofestival 2011 and by the Museum of Estonian Architecture in Tallinn, Estonia.
In order to create his most notable work to date, The House of the Raja, Comas immersed himself in the Deep South of Thailand for over a year and returns regularly. The resulting images have been widely exhibited and are now published in this book, his first both as photographer and writer.
Mohd. Zamberi A. Malek
History and historiography of Patani as a Center of Malay Culture.
|Description||Kuala Lumpur : Penerbit Universiti Malaya, 2006
xiv, 229 p. : ill., maps ; 23 cm.
Siri kajian sejarah
History and historiography of Patani, Southern Thailand as a center of Malay culture.
Includes bibliographical references (p. 219-224) and index.
|Subjects||Patani (Kingdom) – History. | Patani (Kingdom) – Historiography.|
When the so-called ‘conflict situations’ in many countries around the world were reached the boundary of ‘war’ and people fed up with the loss and grievance, the peace-building process would become clearly with the goals to achieve. Unlike the restive situations in the Deep South of Thailand, which is still ‘in between’ whether to defy them just the ‘battle’ or complete ‘warfare’? For this reason, the peace-building process in the Deep South call on more powerful creativity and contribution from everyone involved, in the hope to change the hotbed of violence into one peaceful place where people can live in co-existence. Thus, the obligations of Deep South photographers in recording and reflecting various states of people and community would be related to the important question in mind; ‘How shall we live together?’ Furthermore, the empowerment of the Deep South media, especially Photographers Networks can be one factor in peace-building processes, as the collection of the Deep South related images can be used in finding a comprehensive imagination to the ‘future Deep South’ which all people are hoping and longing for.”
Dr. Isma-ae Alee
Dr. Imtiyaz Yusuf
Mr. Yusof Talek
Ms. Airin Sa-idi
Mr. Muhammad Roflee Waehama
Mr. Ibrahim Narongraksaket
Published by College of Islamic Studies, Prince of Songkla University, Patani Cmpus, Thailand – Year 2000-
ISBN No: 974-644-084-5
This volume is a collection of papers presented at International Seminar of Islamic Studies in Asean: History, Approaches and Future Trends
25-28 June 1998
Organized by College of Islamic Studies, Prince of SongklaUniversity, Pattani Cmpus,Thailand
This paper is one of the products of a larger SIPRI research project, Conflict, Islam and the State-Nation: New Political and Security Challenges, kindly supported by the Swedish Ministry of Foreign Affairs. In it, Dr Neil Melvin seeks to unravel these different strands of the Patani conflict and to shed light on its dynamics. He warns that the insurgents are now gaining the upper hand and it will be hard to stop the conflict escalating still further. The case is strengthening, therefore, for the international community to intervene, over and above the expressions of concern that have already come from Thailand’s neighbours. I am grateful to Dr Melvin for this original and illuminating study, and to Caspar Trimmer for the editing.
Alyson J. K. Bailes